
Tracy Letts
As a playwright, Letts is known for having written for the Steppenwolf Theatre, Off-Broadway and Broadway theatre. His works include Killer Joe, Bug, Man from Nebraska, August: Osage County, Superior Donuts, Linda Vista, and The Minutes. Letts adapted three of his plays into films, Bug and Killer Joe, both directed by William Friedkin, and August: Osage County, directed by John Wells. His 2009 play Superior Donuts was adapted into a television series of the same name. As a stage actor, Letts has performed in various classic plays with the Steppenwolf Theatre since 1988. He made his acting Broadway debut as George in the revival of Edward Albee's play Who's Afraid of Virginia Woolf?, which earned him a Tony Award for Best Actor in a Play. He continued acting on the Broadway stage in The Realistic Joneses, All My Sons, and The Minutes.
In film and television, he is known for his portrayal of Andrew Lockhart in seasons 3 and 4 of Showtime's Homeland, and pyramid-scheme con-artist Nick on the HBO comedy Divorce. In 2017, Letts starred in three critically acclaimed films: Azazel Jacobs' The Lovers, Greta Gerwig's Lady Bird, and Steven Spielberg's The Post. Lady Bird earned Letts a nomination for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. In 2019, he portrayed Henry Ford II in James Mangold's Ford v Ferrari and Mr. Dashwood in Gerwig's Little Women, the two also receiving Best Picture nominations.
Biography from the Wikipedia article Tracy Letts. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
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Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.