
Valerie Edmond
Her first notable role was in The Sunshine Boys at the Royal Lyceum Theatre, directed by Maureen Lipman, soon after she graduated from the Royal Scottish Academy of Music and Drama. Lipman was sufficiently impressed to cast her again, as her secretary in an episode of the TV series Agony Again, and would later describe Edmond as "six foot tall, with the bones of a Slav, the legs of a supermodel and the heart of a small fawn" in her 1995 You Can Read Me Like a Book.
Her first leading role was the character of Ashley in the BAFTA-nominated The Crow Road, the BBC Scotland adaptation of the novel by Iain Banks. Edmond herself was nominated as Best Actress at the BAFTA Scotland Awards. She would later play the lead in the award-winning One More Kiss, directed by Vadim Jean.
Biography from the Wikipedia article Valerie Edmond. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
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The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.