
David Jackson
His other TV credits include The Saint, The Avengers, The Sweeney, Lord Peter Wimsey (The Nine Tailors), Space: 1999, Only Fools and Horses, Wyatt's Watchdogs, Edge of Darkness, Coronation Street and Lovejoy.
Jackson made two appearances in Minder. His first appearance was in 1979 as Big Stan in the episode The Smaller They Are. This was followed by a further appearance in 1985, in the episode Give Us This Day Arthur Daley's Bread, in which he played an ex-con named Marion.
His film credits include roles in 10 Rillington Place (1971), Unman, Wittering and Zigo (1971), Blood from the Mummy's Tomb (1971), Night Watch (1973), The Big Sleep (1978) and the cult horror film Killer's Moon (1978).
In 2002, he provided his voice talent to the audio drama Sarah Jane Smith: Comeback, part of the Doctor Who audio spin-offs by Big Finish Productions. Jackson was a science-fiction fan throughout his career and was happy to be associated with Blake's 7 years after the series ended.
In 1988 he played the Vicar alongside Brian Wilde in six episodes of the BBC1 sitcom Wyatt's Watchdogs. His great passion was for Victorian theatre and at one stage he produced and starred in a one-man show. Other theatre appearances included roles at the Old Vic, the Royal Court, the RSC and in the West End.
David Jackson died of a heart attack on 25 July 2005, aged 71.
Biography from the Wikipedia article David Jackson (actor). Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.