Erika Alexander

Erika Alexander

CountryUnited States United States
GenderFemale
BirthdayNov 19, 1969
BiographyErika Rose Alexander (born November 19, 1969) is an American actress, writer, producer, entrepreneur and activist who played the roles of Pam Tucker on the NBC sitcom The Cosby Show from 1990 to 1992, and Maxine Shaw on the Fox sitcom Living Single from 1993 to 1998. She has won numerous awards for her work on Living Single, including two NAACP Image Awards for Outstanding Actress in a Comedy Series. Her film credits include The Long Walk Home (1990), 30 Years to Life (2001), Déjà Vu (2006), Get Out (2017), American Refugee (2021), Earth Mama (2023) and American Fiction (2023), for which she was nominated for an Independent Spirit Award for Best Supporting Performance.

Biography from the Wikipedia article Erika Alexander. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.

Known For

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The Last of Us
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The Last of Us

After a global pandemic destroys civilization, a hardened survivor takes charge of a 14-year-old girl who may be humanity's last hope.

MobLand
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MobLand

With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.

MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

GenreDrama, Crime
The White Lotus
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The White Lotus

A social satire set at an exclusive tropical resort, The White Lotus follows the exploits of various guests and employees over the span of a week.

Daredevil: Born Again
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Daredevil: Born Again

Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

 

The Studio
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The Studio

As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

GenreComedy