
Elizabeth Bennett
Bennett has appeared in several other British television series, including The Sandbaggers, The Bill, The Lakes, Diana, Chef!, Dangerfield, The Duchess of Duke Street, Bergerac (Series 2 Episode 9, "The Moonlight Girls"), Down to Earth "Lovejoy" (Series 2 ep 6) "One Born Every Minute" (as Alison Jukes) and The Last Detective. In Diana, she played the title character's mother, aging from 30 to 60.
Bennett's first role in sitcom was in the British comedy Home to Roost, in which she played housekeeper Enid Thompson. As of 1986, she was commuting between England and the United States to play the same character in the show's American remake, You Again?, which aired on NBC.
Bennett also appeared in the television film Margaret (2009), and also played the role of Miss Pennywinkle in the French language films Largo Winch and its sequel Largo Winch II, both based on the Belgian comic book series.
She studied acting in London and started her acting career at the Old Vic Theatre in Bristol.
Biography from the Wikipedia article Elizabeth Bennett (actress). Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.