
Billie Piper
Piper appeared in the BBC One sci-fi series Doctor Who as Rose Tyler, companion to the Doctor, as a regular between 2005 and 2006, and made guest appearances in 2008 and 2010. In 2013, she appeared in the series' 50th anniversary special as a separate character, though still credited as Rose Tyler. She starred as Belle de Jour in the drama series Secret Diary of a Call Girl (2007–2011), as Brona Croft/Lily in the Showtime horror series Penny Dreadful (2014–2016), and as Karen Mars in Netflix Original series Collateral (2018), for which she was nominated for a British Academy Television Award for Best Supporting Actress. Piper co-created and starred in the Sky Atlantic series I Hate Suzie (2020–2022), for which she earned a BAFTA nomination for Best Actress in 2021 and 2023.
Piper has starred in five plays since 2007 and won the 2017 Laurence Olivier Award for Best Actress in a Leading Role in a Play for her performance in Yerma, described as a "generation's best".
Biography from the Wikipedia article Billie Piper. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For

Wednesday

A Passionate Woman

Canterbury Tales

Collateral

Doctor Who

I Hate Suzie

Kaos

Penny Dreadful

Secret Diary of a Call Girl

The Sally Lockhart Mysteries

True Love
Part of Crew
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.