
Lacey Chabert
In film, she has appeared in Lost in Space (1998), Not Another Teen Movie (2001), and Daddy Day Care (2003); and had leading roles as Gretchen Wieners in Mean Girls (2004), Meg Cummings in Dirty Deeds (2005), Dana Mathis in the horror remake Black Christmas (2006), and Penelope in the animated film All I Want for Christmas Is You (2017). Chabert has also appeared in more than 40 Hallmark Channel films.
Chabert's extensive voice acting roles have included Eliza Thornberry in the Nickelodeon animated series The Wild Thornberrys (1998–2004) and the feature films The Wild Thornberrys Movie and Rugrats Go Wild; Meg Griffin during the first season of the animated sitcom Family Guy in 1999; Mako in the video game Star Wars: The Old Republic, superhero Zatanna Zatara in DC Comics-related media, and Princess Elise in the English dub of Sonic the Hedgehog (2006).
Biography from the Wikipedia article Lacey Chabert. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For

Celebrations with Lacey Chabert

Family Guy

The Wedding Veil

Batman: Caped Crusader

All of My Heart

Crossword Mysteries

Harriet the Spy

Kulipari: An Army of Frogs

Kulipari: Dream Walker

Party of Five

The Spectacular Spider-Man

Transformers: Rescue Bots
Part of Crew
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.