
Mike McGlone
McGlone's movie credits include two castings as writer/actor/director/producer Edward Burns's brother in the 1995 movie The Brothers McMullen and 1996's She's the One. He also appeared in One Tough Cop and The Bone Collector.
On TV, McGlone's credits include Crash on the Starz and The Kill Point on Spike TV, as well as a recurring role on CBS's Person of Interest. He guest-starred in an episode of Psych. Voice-over credits include The Learning Channel's Trauma: Life in the E.R., Court TV's I, Detective, and History series Dead Reckoning. McGlone has also acted on stage.
His writing credits include the novels CAL, And All the Roses Dying..., Dice, Hourigan's Song and THE SOFT DRIVE. He has recorded and produced four albums, Hero (1999) and To Be Down (2002), SPEED (2016) and The Center EP (2017), as well as various singles, including "The Other Side", "The Hammer" and "Thank you again...".
Biography from the Wikipedia article Mike McGlone. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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The Rookie
The Rookie is inspired by a true story. John Nolan is the oldest rookie in the LAPD. At an age where most are at the peak of their career, Nolan cast aside his comfortable, small town life and moved to L.A. to pursue his dream of being a cop. Now, surrounded by rookies twenty years his junior, Nolan must navigate the dangerous, humorous and unpredictable world of a "young" cop, determined to make his second shot at life count.

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.