
Matthew Lewis
Born in Leeds, Lewis made his acting debut in Some Kind of Life (1995), guest-starring on dramas for ITV and BBC One before appearing in Harry Potter and the Philosopher's Stone (2001). Lewis played the role for ten years, concluding with the final film, Harry Potter and the Deathly Hallows – Part 2 (2011), for which he received critical praise. Following the series, Lewis had a recurring role in The Syndicate and performed his first theatre role in Our Boys at the Duchess Theatre in 2012.
Lewis starred in The Rise (2012) which premiered at the Toronto International Film Festival to positive reviews and made appearances on BBC dramas Bluestone 42 and Death in Paradise in 2013 and 2015, respectively. Lewis had a supporting role in Me Before You (2016), which became a box office success. He was cast in the crime dramas Ripper Street and Happy Valley before starring on the ITV drama Girlfriends in 2018. Lewis appeared in Terminal (2018), which premiered at the Edinburgh International Film Festival as well as Baby Done (2020). In 2020-2021, Lewis starred in Channel 5 television series All Creatures Great and Small to critical praise.
Biography from the Wikipedia article Matthew Lewis (actor). Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.