Chris Cooper

Chris Cooper

CountryUnited States United States
GenderMale
BirthdayJul 9, 1951
BiographyChristopher Walton Cooper (born July 9, 1951) is an American actor. Having made his debut as a stage actor, he made his breakthrough on television as Sheriff July Johnson in the acclaimed Western television miniseries Lonesome Dove (1989). He has appeared in several major Hollywood films including A Time to Kill (1996), October Sky (1999), American Beauty (1999), The Bourne Identity (2002), Seabiscuit (2003), Capote (2005), Syriana (2005), The Kingdom (2007), Where the Wild Things Are (2009), The Town (2010), The Muppets (2011), Live by Night (2016), Cars 3 (2017), A Beautiful Day in the Neighborhood (2019), and Little Women (2019). He won both the Academy Award and Golden Globe Award for Best Supporting Actor for Adaptation.

Cooper also played a lead role in the historical and political thriller Breach (2007), playing FBI agent and traitor Robert Hanssen. He played Daniel Sloan in the 2012 political thriller The Company You Keep, and Norman Osborn in The Amazing Spider-Man 2 (2014). He also portrayed Al Templeton on the 2016 Hulu miniseries 11.22.63. He is a frequent collaborator with director John Sayles, including Matewan (1987), City of Hope (1991), Lone Star (1996), Silver City (2004) and Amigo (2010).

Cooper's other accolades include a Screen Actors Guild Award, and nominations for a BAFTA Award, a Primetime Emmy Award, an Independent Spirit Award, and three Satellite Awards. In 2017, he was nominated for the Tony Award for Best Actor in a Play for his performance in A Doll's House, Part 2.

Biography from the Wikipedia article Chris Cooper. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.

Known For

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The Studio
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The Studio

As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

GenreComedy
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The Equalizer
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The Equalizer

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