
Katie Holmes
Holmes made her film debut with a supporting role in Ang Lee's The Ice Storm (1997). A mixture of parts in big-budget and small-scale film projects came next, including Disturbing Behavior (1998), Go, Teaching Mrs. Tingle (both 1999), Wonder Boys, The Gift (both 2000), Abandon, Phone Booth (both 2002), The Singing Detective, Pieces of April (both 2003), First Daughter (2004), Batman Begins, Thank You for Smoking (both 2005), Mad Money (2008), Don't Be Afraid of the Dark (2010), Jack and Jill (2011), Miss Meadows (2014), Woman in Gold, Touched with Fire (both 2015), Logan Lucky (2017), Dear Dictator (2018), Coda (2019), Brahms: The Boy II, and The Secret: Dare to Dream (both 2020).
Outside of film, Holmes made her Broadway theatre debut in a 2008 production of Arthur Miller's All My Sons. In 2011, she portrayed Jacqueline Kennedy in the television miniseries The Kennedys, a role she reprised in The Kennedys: After Camelot (2017). She also played the part of Paige Finney on the third season of Showtime's Ray Donovan in 2015. Holmes made her directorial debut with the 2016 film All We Had, in which she also starred, following in 2022, by her second movie Alone Together, which was also her debut as a screenwriter.
Holmes's marriage to actor Tom Cruise, which lasted from 2006 to 2012, attracted a great deal of media attention. They have one child together, a daughter, Suri.
Biography from the Wikipedia article Katie Holmes. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
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MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

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The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.