
Cathy Moriarty
Throughout her career, she has worked with a number of prolific directors including Martin Scorsese, Sidney Lumet, Ivan Reitman, Harold Ramis, James Mangold, and Richard Ayoade. She has starred in numerous leading and supporting roles in a variety of films ranging from independent film features to major film studio productions across many genres. Her film appearances include Neighbors (1981), White of the Eye (1987), Kindergarten Cop (1990), Soapdish (1991), Matinee (1993), Casper (1995), Cop Land (1997), But I’m a Cheerleader (1999), Analyze That (2002), The Bounty Hunter (2010), The Double (2013), and Patti Cake$ (2017). The films in which she has appeared have collectively grossed over $1 billion worldwide.
Moriarty has also starred in numerous television series including Tales from the Crypt (1992), Hey Arnold! (1997–1999), Law & Order (2001), Law & Order: Special Victims Unit (2005–2014), Law & Order: Criminal Intent (2010), I'm Dying Up Here (2017), This Is Us (2018), The Assassination of Gianni Versace: American Crime Story (2018), City on a Hill (2019), and HouseBroken (2021).
Moriarty works as an activist for the autistic community and is the national spokesperson for Autism United. She is also an advocate of both Autism Speaks and the autism rights movement.
Biography from the Wikipedia article Cathy Moriarty. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
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MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.