
Jennifer Garner
Her breakthrough came with playing Sydney Bristow in the ABC action thriller series Alias (2001–2006), which earned her a Golden Globe, and four Primetime Emmy Award nominations, among other honors. Garner received further recognition for her starring roles in the romantic comedies 13 Going on 30 (2004), Juno (2007), Ghosts of Girlfriends Past (2009) and Valentine's Day (2010), and for playing Elektra in superhero films, including Daredevil (2003).
She has since starred in the biographical drama Dallas Buyers Club (2013); the family comedies Alexander and the Terrible, Horrible, No Good, Very Bad Day (2014), Love, Simon (2018), and Yes Day (2021); the action films Peppermint (2018) and The Adam Project (2022); and the Apple TV+ drama series The Last Thing He Told Me (2023).
Garner works as an advocate for early childhood education and serves on the board of Save the Children USA. She is also the co-founder and chief brand officer of Once Upon a Farm, an organic baby food company. Additionally, Garner is a vocal advocate for anti-paparazzi campaigns aimed at protecting the children of celebrities.
Biography from the Wikipedia article Jennifer Garner. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For

The Last Thing He Told Me

My Glory Was I Had Such Friends

Party Down

The Five-Star Weekend

Aftershock: Earthquake in New York

Alias

Camping

Llama Llama

Party Down

Significant Others

Time of Your Life
Part of Crew
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.