
Shirley Manson
She joined Garbage in 1994, and they achieved critical and commercial success with their self-titled debut album (1995) and Version 2.0 (1998). During this period, they released a string of successful singles including "Queer", "Only Happy When It Rains", "Stupid Girl", "Milk", "Push It", "Special" and "When I Grow Up". They followed this by performing and co-producing the theme song to the 19th James Bond film The World Is Not Enough (1999) and releasing their acclaimed third album Beautiful Garbage (2001), preceded by successful singles including "Androgyny" and "Cherry Lips".
Following the troubled production of Garbage's fourth album Bleed Like Me (2005), the group went on hiatus; during this period, they released a greatest hits album (2007). Manson began to write and record solo material in 2006, and played Catherine Weaver on the science fiction television series Terminator: The Sarah Connor Chronicles (2008). Garbage reunited in 2010, and have since released three more albums: Not Your Kind of People (2012), Strange Little Birds (2016), and No Gods No Masters (2021). The band have sold over 17 million records as of 2017. Manson also hosted the music podcast The Jump with Shirley Manson (2019–2021).
Biography from the Wikipedia article Shirley Manson. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.