
Christian Slater
In the 1990s, Slater starred in a number of big-budget films, including Young Guns II (1990), Robin Hood: Prince of Thieves (1991), Interview with the Vampire (1994), Broken Arrow (1996), and Hard Rain (1998) as well as cult films like Gleaming the Cube (1989), Pump Up the Volume (1990) and True Romance (1993). He has had roles in other notable films, including The Name of the Rose (1986), Tucker: The Man and His Dream (1988), Windtalkers (2002), Alone in the Dark (2005), Bobby (2006), He Was a Quiet Man (2007), Nymphomaniac (2013), The Wife (2017), We Can Be Heroes (2020), and Blink Twice (2024).
In addition to his live-action roles, Slater has had an extensive voice-acting career, with roles including Pips in FernGully: The Last Rainforest (1992), Slater in Archer (2014–2023), Ushari in The Lion Guard (2016–2019), Rand Ridley in Inside Job (2021–2022), and Floyd Lawton / Deadshot in the DC Animated Movie Universe.
Biography from the Wikipedia article Christian Slater. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For

Generation X

Milo Murphy's Law

Dexter: Original Sin

The Spiderwick Chronicles

Breaking In

Dinosaur Planet

Dirty John

Dr Death

Inside Job

Mind Games

Mr. Robot

My Own Worst Enemy

Robot Chicken

The Forgotten
Part of Crew
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.