
Penelope Keith
Keith joined the Royal Shakespeare Company in 1963, and went on to win the 1976 Olivier Award for Best Comedy Performance for the play Donkeys' Years. She became a household name in the UK playing Margo Leadbetter in the sitcom The Good Life (1975–78), winning the 1977 BAFTA TV Award for Best Light Entertainment Performance.
In 1978 Keith won the BAFTA TV Award for Best Actress for The Norman Conquests. She then starred as Audrey fforbes-Hamilton in the sitcom To the Manor Born (1979–81), a show that received audiences of more than 20 million. She went on to star in another six sitcoms, including Executive Stress (1986–88), No Job for a Lady (1990–92) and Next of Kin (1995–97). Since 2000, she has worked mainly in the theatre, with her roles including Madam Arcati in Blithe Spirit (2004) and Lady Bracknell in The Importance of Being Earnest (2007).
Biography from the Wikipedia article Penelope Keith. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For

BBC: The Secret Files

Executive Stress

Law and Disorder

Moving

Next of Kin

No Job for a Lady

Penelope Keith at Her Majesty's Service

Penelope Keith's Coastal Villages

Penelope Keith's Hidden Villages

Sweet Sixteen

Tales of the Tooth Fairies

The Good Life
The Manor Reborn
To the Manor Born
Village of the Year
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.