
Alessandro Nivola
Nivola made his acting film debut in Face/Off (1997) and has since acted in films such as Mansfield Park (1999), Jurassic Park III (2001), Laurel Canyon (2002), Junebug (2005), Coco Before Chanel (2009), Ginger & Rosa (2012), American Hustle (2013), Selma (2014), A Most Violent Year (2014), Disobedience (2017), You Were Never Really Here (2017), The Art of Self-Defense (2019), The Many Saints of Newark (2021), Boston Strangler (2023), The Room Next Door (2024), and The Brutalist (2024). He portrayed Aleksei Sytsevich / Rhino in the Marvel superhero film Kraven the Hunter (2024).
He founded the production company King Bee Productions with his wife Emily Mortimer in 2013. On television, he acted in and produced the HBO comedy Doll & Em (2015), and has portrayed Mark Madoff in the HBO television film The Wizard of Lies (2017), Mr. Dean in the FX / BBC One series Black Narcissus (2020) and Bert Schneider in the Apple TV+ thriller miniseries The Big Cigar (2024).
On stage, he made his Broadway debut in the play A Month in the Country (1995) for which he was nominated for the Drama Desk Award for Outstanding Featured Actor in a Play. He returned to Broadway acting in the revivals of Terence Rattigan's The Winslow Boy (2012), and Bernard Pomerance's The Elephant Man earning a Tony Award for Best Featured Actor in a Play nomination for the later.
Biography from the Wikipedia article Alessandro Nivola. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.