Nathalie Emmanuel

Britain's best home potters compete to become champion of the wheel in Stoke-on-Trent, the home of pottery. Let the battle of clay commence!

The Curse of Oak Island documents brothers Rick and Marty Lagina as they pursue their lifelong dream of solving more than a 220-year old Oak Island mystery. For over two centuries, teams of searchers, including Franklin D. Roosevelt, have attempted to crack the code that will unearth the treasure believed to be buried on the small island off the coast of Nova Scotia. Armed with the knowledge of those that came before them, the muscle of heavy machinery and decades of engineering know-how, the Lagina's and their partners may be closer than anyone in history to finding the treasure that has so far claimed the lives of six men.

Set in the East End of London, the show focuses on the tensions between love and family with stories ranging from hard-hitting social issues, to personal, human tragedies. And there's plenty of funny moments too. 

Classic characters old and new across thousands of episodes have shared a drink in The Queen Vic, shed tears of despair or joy, sat on Arthur's bench in the Square... and at some point or other they probably crossed paths with Ian Beale.

The Big Fat Quiz is an annual British television programme broadcast on the last Sunday of the year on Channel 4. Essentially, the show is a comedy panel show in the style of a pub quiz. Three teams, of two celebrities each, are asked questions relating to the events of the year just gone by, which they write answers to on an electronic board in front of them. At the end of each round, they then display their answers, scoring a point for each correct one. The first edition was broadcast in December 2004. There has been another at the end of each year since, as well as a special edition in November 2007 for Channel 4's 25th anniversary celebrations.

COPS follows police officers, constables, and sheriff's deputies during patrols and various police activities by embedding camera crews with their units. The show's formula adheres to a classic cinéma vérité ethos. With no narration or scripted dialog, it depends entirely on the commentary of the officers and on the actions of the people with whom they come into contact.