Rachael Taylor

Rachael Taylor

CountryAustralia Australia
GenderFemale
BirthdayJul 11, 1984
BiographyRachael May Taylor (born 11 July 1984) is an Australian actress and model. Her first lead role was in the Australian television series headLand (2005–2006) as Sasha Forbes. She then made the transition to Hollywood, appearing in films including Man-Thing (2005), See No Evil (2006), Transformers (2007), Bottle Shock (2008), Shutter (2008), Cedar Boys (2009), Splinterheads (2009), Red Dog (2011), The Darkest Hour (2011) and Any Questions for Ben? (2012).

She has also starred as Dr. Lucy Fields on Grey's Anatomy, as one of the Angels on the short-lived reboot Charlie's Angels (both 2011), as the main character on the ABC show 666 Park Avenue (2012–2013), and in the NBC action/thriller series Crisis (2014).

She starred in the Marvel Cinematic Universe streaming superhero television series Jessica Jones (2015–2019), Luke Cage (2016), and The Defenders (2017) as Trish Walker.

Biography from the Wikipedia article Rachael Taylor. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.

Known For

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After a global pandemic destroys civilization, a hardened survivor takes charge of a 14-year-old girl who may be humanity's last hope.

MobLand
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MobLand

With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.

MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

GenreDrama, Crime
The White Lotus
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The White Lotus

A social satire set at an exclusive tropical resort, The White Lotus follows the exploits of various guests and employees over the span of a week.

Daredevil: Born Again
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Daredevil: Born Again

Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

 

The Studio
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The Studio

As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

GenreComedy