
Noel Howlett
Howlett was born in Bexley, Kent, and began his career as Richard Greatham in Noël Coward's Hay Fever. At Northampton Repertory Theatre in 1930 he played Sherlock Holmes. He also appeared as Mr Williams in the 1948 film The Winslow Boy, starring Robert Donat. At Stratford-on-Avon in 1953, he played Old Gobbo (father to Donald Pleasence's Launcelot Gobbo) in The Merchant of Venice, Edward IV (brother to Marius Goring's Richard III), Baptista in The Taming of the Shrew and Gloucester in King Lear.
An early TV role was portraying a vicar in the 1958/59 BBC series Quatermass and the Pit. He appeared as Professor Rushton in a one-off 1967 edition ("Mission Highly Improbable") of The Avengers and as the Reverend Simon Blanding in a one-off 1967 edition ("Dead Man's Shoes") of Man in a Suitcase. Other screen appearances include the 1960s TV shows Softly, Softly and Danger Man. He also appeared in one 1976 episode ("I Talk to the Trees") of the BBC situation comedy The Good Life as slightly eccentric allotment gardener Mr Wakeley.
He also frequently broadcast and did a spell for the BBC as a member of their Drama Repertory Company (now the Radio Drama Company), one of his appearances being as Inspector Walter Neider in the 1965 Paul Temple radio episode, "Paul Temple and the Geneva Mystery".
Biography from the Wikipedia article Noel Howlett. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.