
Joe Dallesandro
Dallesandro starred in the Andy Warhol-produced film Flesh (1968) as a male prostitute. Rolling Stone magazine declared Dallesandro's second starring film Trash (1970) as the "Best Film of the Year", making him a star of the youth culture, sexual revolution, and subcultural New York City art collective in the early 1970s. Dallesandro also starred in the Factory films Heat (1972), Andy Warhol's Frankenstein (1974), and Andy Warhol's Dracula (1974), which were directed by Paul Morrissey. Dallesandro later lived in Europe for several years where he starred in both genre and art films. Having returned to the United States, he also crossed over into mainstream roles such as mobster Lucky Luciano in the film The Cotton Club (1984).
Biography from the Wikipedia article Joe Dallesandro. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.