Gretchen Corbett

Gretchen Corbett

CountryUnited States United States
GenderFemale
Birthdayaoût 13, 1945
BiographyGretchen Hoyt Corbett (born August 13, 1945) is an American actress and theater director. She is primarily known for her roles in television, particularly as attorney Beth Davenport on the NBC series The Rockford Files, but has also had a prolific career as a stage actress on Broadway as well as in regional theater.

A native of Oregon and the great-great-granddaughter of Oregon U.S. Senator Henry W. Corbett, she spent her early life in Camp Sherman and Portland, where she graduated from the Catlin Gabel School. Corbett studied drama at Carnegie Mellon University before making her stage debut in a production of Othello at the Oregon Shakespeare Festival. She subsequently appeared in lead roles on Broadway in After the Rain (1967) and Forty Carats (1968), opposite Julie Harris. She also starred off-Broadway in the title role of Iphigenia in Aulis (1968), and as Joan la Pucelle in Shakespeare's Henry VI, staged at Central Park's Delacorte Theater in 1970. She starred as Jeanne d'Arc in The Survival of St. Joan between 1970 and 1971.

She made her feature film debut in the comedy Out of It (1969), followed by a supporting role in the cult horror film Let's Scare Jessica to Death (1971). In 1972, Corbett signed a contract with Universal Studios, and appeared in numerous television films and series for the studio, while simultaneously working in summer stock theater on the East Coast. Between 1974 and 1978, she starred as the idealistic attorney Beth Davenport on the NBC series The Rockford Files, opposite James Garner. Corbett subsequently starred in the horror film Jaws of Satan (1981), and the drama Million Dollar Infield (1982), directed by Hal Cooper.

For the majority of the 1980s, Corbett appeared in guest-starring roles on numerous television series, including Cheers (1983) and Magnum, P.I. (1981–1983), and starred in the short-lived Otherworld (1985). In 1988, she starred in the original workshop stage production of The Heidi Chronicles for the Seattle Repertory Theatre. She later had minor parts in the films Without Evidence (1995) and A Change of Heart (1998). Since the 2000s, Corbett has served as the artistic director of the Portland-based Haven Project, a theater project serving underprivileged children, and appeared in numerous stage productions at the Portland Center Stage as well as the city's Third Rail Repertory. She returned to television with a recurring character on the IFC series Portlandia in 2013, and had a guest-starring role on the Hulu series Shrill in 2019.

Biography from the Wikipedia article Gretchen Corbett. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.

Known For

Recently Updated Shows

Recently updated shows that might be of your interest.
The Last of Us
Running

The Last of Us

After a global pandemic destroys civilization, a hardened survivor takes charge of a 14-year-old girl who may be humanity's last hope.

MobLand
Running

MobLand

With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.

MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

GenreDrama, Crime
The White Lotus
Running

The White Lotus

A social satire set at an exclusive tropical resort, The White Lotus follows the exploits of various guests and employees over the span of a week.

Daredevil: Born Again
Running

Daredevil: Born Again

Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

 

The Studio
Running

The Studio

As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

GenreComedy