John Diedrich
Diedrich was a child actor, debuting as the Artful Dodger in a J. C. Williamson production of Oliver!. In 1972, he produced, directed and starred (as Groucho Marx) in a 1972 production of Minnie's Boys. He also appeared in Melbourne productions of Salad Days, Lloyd George Knew My Father, Grease and Two Gentlemen of Verona. He played the lead role of Curly in the 1980 West End revival of Oklahoma! (for which he was nominated for an Olivier Award for Best Actor in a Musical), and also in the 1982 Australian tour. He replaced Philip Quast as Javert in the original Australian production of Les Misérables.
He directed, produced and starred in the Australian production of the musical Nine in 1987. He directed and produced the Theatre Royal, Sydney season of the musical Titanic in 2006.
Notable television roles include appearances in Class of '75, Bluey, Special Squad and The Challenge in Australia, and The Gingerbread Girl in the UK.
Biography from the Wikipedia article John Diedrich. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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The Rookie
The Rookie is inspired by a true story. John Nolan is the oldest rookie in the LAPD. At an age where most are at the peak of their career, Nolan cast aside his comfortable, small town life and moved to L.A. to pursue his dream of being a cop. Now, surrounded by rookies twenty years his junior, Nolan must navigate the dangerous, humorous and unpredictable world of a "young" cop, determined to make his second shot at life count.
MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.
Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.
The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.