Birthe Neumann
In 1972 she graduated from the Danish National School of Theatre, and was shortly afterwards employed as an actress at the Royal Danish Theatre in Copenhagen.
At the Royal Danish Theatre she has appeared in a number of productions, among them Marx and Coca Cola, Molière's The Learned Ladies, Henrik Hertz's Sparekassen (The Savings Bank), Jess Ørnsbo's Majonæse (Mayonnaise), Arthur Miller's Death of a Salesman, and David Hare's A Breath of Life.
Her film appearances include Hovedjægerne (her first film role, in 1971; released internationally as The Headhunters), Lad isbjørnene danse (1990, Dance of the Polar Bears), Kærlighedens Smerte (1992, Pain of Love), The Celebration (1998, Festen, the first Dogme 95 film), Elsker dig for evigt og (2002, Open Hearts, also a Dogme film) and Lykkevej (Move Me, 2003).
She has also appeared in Danish television series including Lars von Trier's Riget (The Kingdom), Forsvar (Defense), and as a repeated guest star on Krøniken (Chronicles).
She has received both of Denmark's leading film awards: a Bodil for her performances in Kærlighedens smerte and Lykkevej, and a Robert for Lykkevej.
In 2013, she received the Lauritzen Award.
Neumann is married to Danish actor Paul Hüttel; they have one daughter.
Biography from the Wikipedia article Birthe Neumann. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
Recently Updated Shows
MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.
Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.
The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.