
Joanna Monro
In 1974 she appeared in the Doctor Who story Planet of the Spiders, followed by a lengthy spell as 'Anna Newcross' in the BBC soap opera Angels. For three years in the mid-1980s she was a regular in the BBC children's sketch show Fast Forward, and was a member of the BBC's Radio Drama Company.
In the 1990s, she played the Mrs Lyons in the musical Blood Brothers in the West End, and was on the 1995 London cast recording as well as The International Cast Album. She also appeared in the episode 'The Photographer' (1999) in the first BBC series of People Like Us (which aired 1999–2001).
Monro appeared as "Rosie" in Mamma Mia!. She was in the International Tour for 2 years then joined the London cast for a period of 5 years at The Prince of Wales Theatre then at the Novello Theatre. She appeared in character on 31 December 2008 in a West End special edition episode of The Weakest Link on BBC One. She was the 'strongest link', winning over £14,000 which she donated to breast cancer research.
In 2017 she played the part of "June" in Sandi Toksvig's play "Silver Lining" which toured the UK.
Biography from the Wikipedia article Joanna Monro. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.