
Glenda Jackson
Jackson won the Academy Award for Best Actress twice, for the romance films Women in Love (1969) and A Touch of Class (1973), but she did not appear in person to collect either due to work commitments. She also won the BAFTA Award for Best Actress in a Leading Role for Sunday Bloody Sunday (1971). Her other notable films include Mary, Queen of Scots (1971), Hedda (1975), The Incredible Sarah (1976), House Calls (1978), Stevie (1978) and Hopscotch (1980). She won two Primetime Emmy Awards for her portrayal of Queen Elizabeth I in the BBC series Elizabeth R (1971). She received both the BAFTA Award and International Emmy Award for her performance in Elizabeth Is Missing (2019).
She studied at the Royal Academy of Dramatic Art (RADA) and made her Broadway theatre debut in Marat/Sade (1966). She received five Laurence Olivier Award nominations for her West End theatre roles in Stevie (1977), Antony and Cleopatra (1979), Rose (1980), Strange Interlude (1984) and King Lear (2016), the last being her first role after a 25-year absence from acting, which she reprised on Broadway in 2019. On Broadway, she won the Tony Award for Best Actress in a Play for her role in the revival of Edward Albee's Three Tall Women (2018) and received nominations for her work in Marat/Sade (1966), Rose (1981), Strange Interlude (1985), and Macbeth (1988).
Jackson transitioned her career to politics from 1992 to 2015, and was elected MP for Hampstead and Highgate at the 1992 general election. She was a junior transport minister from 1997 to 1999 during the first Blair ministry; she later became critical of Tony Blair. After constituency boundary changes, she represented Hampstead and Kilburn from 2010. At the 2010 general election, her majority of 42 votes, confirmed after a recount, was the narrowest margin of victory in Great Britain. Jackson stood down at the 2015 general election and returned to acting.
Biography from the Wikipedia article Glenda Jackson. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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Lioness
Lioness, inspired by an actual U.S. Military program, follows the life of Joe while she attempts to balance her personal and professional life as the tip of the CIA's spear in the war on terror. The Lioness Program, overseen by Kaitlyn Meade and Donald Westfield, enlists an aggressive Marine Raider named Cruz to operate undercover alongside Joe among the power brokers of State terrorism in the CIA's efforts to thwart the next 9/11.

Dark Matter
Hailed as one of the best sci-fi novels of the decade, Dark Matter is a story about the road not taken. The series follows Jason Dessen, a physicist, professor, and family man who – one night while walking home on the streets of Chicago – is abducted into an alternate version of his life. Wonder quickly turns to nightmare when he tries to return to his reality amid the multiverse of lives he could have lived. In this labyrinth of mind-bending realities, he embarks on a harrowing journey to get back to his true family and save them from the most terrifying, unbeatable foe imaginable: himself.

Bob's Burgers
The series follows Bob who runs Bob's Burgers, with the help of his wife and their three kids. Bob has big ideas about burgers, but the rest of the clan falls short on service. Despite the greasy counters and lousy location, the Belchers are determined to make every "Grand Re-Re-Re-opening" a success. Bob's wife, Linda, stands by her man and often does so by bursting into song. Their eldest daughter, 13-year-old Tina has a slight obsession with boys and zombies. Middle child Gene is an aspiring musician with a thirst for life. Louise is the bunny ears-wearing youngest daughter with an off-kilter sense of humor that makes her somewhat of a liability in the kitchen – and with the public.

Star Trek: Strange New Worlds
Star Trek: Strange New Worlds follows Captain Pike, Science Officer Spock and Number One in the decade before Captain Kirk boarded the U.S.S. Enterprise, as they explore new worlds around the galaxy.

