Confectionery

Various sweets first came to Japan from the West, but the Japanese put their own distinctive stamp on them. Today, this "Western-style confectionery" is an important part of Japanese culinary culture. The first Western confectionery that came to Japan was brought by Christian missionaries from Portugal and Spain in the mid-16th century. In the mid-19th century, after being closed off for centuries, Japan opened to foreign commerce. New confections poured in from the West, and original recipes were adjusted to suit Japanese tastes. In the last 50 years, Western-style Japanese confections have earned popularity and acclaim in the West, and Japanese chefs have won top prizes in the world's most prestigious confectionery competitions. On this edition of BEGIN Japanology, we look at Japan's own brand of Western-style confectionery and what it reveals about Japanese culture.
Trailer
Recently Updated Shows

The Rookie
The Rookie is inspired by a true story. John Nolan is the oldest rookie in the LAPD. At an age where most are at the peak of their career, Nolan cast aside his comfortable, small town life and moved to L.A. to pursue his dream of being a cop. Now, surrounded by rookies twenty years his junior, Nolan must navigate the dangerous, humorous and unpredictable world of a "young" cop, determined to make his second shot at life count.

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.