Mark Millar

Good Cop/Bad Cop is a one-hour procedural dramedy centered around Lou and Henry, an odd couple sister and brother detective team in a small Pacific Northwest police force. They must contend with colorful residents, a serious lack of resources, and their very complicated dynamic with each other and with their police chief, Big Hank - who happens to be their father.

After Midnight, inspired by Comedy Central's Emmy Award-winning series "@midnight," is the smartest show on television about the dumbest things on the internet. With celebrated comedian Taylor Tomlinson at the helm and a panel of guests from the worlds of entertainment, comedy, music and beyond, After Midnight is a late-night comedy series about what set the internet abuzz that day with a game show feel. Upcoming guests will be announced at a later date.

In this workplace comedy, a group of dedicated, passionate teachers — and a slightly tone-deaf principal — are brought together in a Philadelphia public school where, despite the odds stacked against them, they are determined to help their students succeed in life. Though these incredible public servants may be outnumbered and underfunded, they love what they do — even if they don't love the school district's less-than-stellar attitude toward educating children.

As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

COPS follows police officers, constables, and sheriff's deputies during patrols and various police activities by embedding camera crews with their units. The show's formula adheres to a classic cinéma vérité ethos. With no narration or scripted dialog, it depends entirely on the commentary of the officers and on the actions of the people with whom they come into contact.