Episode 31
Hosted by Jane Pauley. In our cover story, Luke Burbank examines how Butte, Montana, is overcoming a century of environmental damage from its mining industry. Also: Kelefa Sanneh talks with Jennifer Hudson about her portrayal of Aretha Franklin in the biopic, "Respect"; David Martin interviews retired Lt. Col. Alexander Vindman, who testified against President Trump during Congress' impeachment investigation; Lee Cowan learns the life lessons of a new children's book, "Three Little Engines"; Weijia Jiang explores the history of anti-Asian racism in America; Chip Reid visits the Smithsonian's Arts and Industries Building, reopening after nearly 20 years; Serena Altschul pays tribute to MTV on its 40th anniversary; and Tracy Smith visits a "whaling wall" – a life-size depiction of giant sea life by the artist Wyland.
Trailer
Recently Updated Shows
The Rookie
The Rookie is inspired by a true story. John Nolan is the oldest rookie in the LAPD. At an age where most are at the peak of their career, Nolan cast aside his comfortable, small town life and moved to L.A. to pursue his dream of being a cop. Now, surrounded by rookies twenty years his junior, Nolan must navigate the dangerous, humorous and unpredictable world of a "young" cop, determined to make his second shot at life count.
MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.
Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.
The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.