David Starkey's Music and Monarchy - Season 1

Dr Starkey reveals why Henry V took a choir with him to the Battle of Agincourt, and hears the music the king wrote to keep God on-side in his crusade against the French - rarely performed in the centuries since, and now sung by the choir at Canterbury Cathedral. He visits Eton College, founded by Henry VI, where today's choristers sing from a hand-illuminated choir book which would have been used by their 16th-century predecessors, King's College, Cambridge, built by successive generations of monarchs and still world-famous for its choir, and the Chapel Royal at Hampton Court Palace, where Henry VIII and Elizabeth I heard works created especially for their worship by some of the greatest composers in British history.

Dr David Starkey's exploration of how the monarchy shaped Britain's music reaches the 17th century, when religious conflict threatened not only the lives of musicians and monarchs, but the future of the monarchy and the glorious tradition of British music itself. And yet, in the midst of this upheaval, royalty presided over a series of musical breakthroughs - from the first chamber concerts and proto-operas, to the triumphant debut of the baroque orchestra.

Dr David Starkey's exploration of how the monarchy shaped Britain's music reaches the 18th century, when Great Britain became a dominant military and economic power, and the century which brought us patriotic classics such as God Save the King - the world's first national anthem - and Rule Britannia. Yet this was a time when the monarchy had never been more fragile, having lost much of its political and religious power and imported its ruling house from abroad. The supreme irony was that it was a musician from Germany, George Frideric Handel, who gave Great Britain and its new royal dynasty its distinctive musical voice.

David discovers the royal origins of such classics as Edward Elgar's Land of Hope and Glory, Hubert Parry's I Was Glad and William Walton's Crown Imperial, as well as finding out how the 20th century's coronations - culminating in the crowning of Elizabeth II - cemented the repertory of royal classics in the hearts of the British people.