Episode 3

Paul Merton traces the rise of the studios through the story of MGM - the biggest dream factory of them all, which boasted of 'more stars than the heavens'. Metro Goldwyn Mayer's studio system was perfected by its young producer Irving Thalberg, the boy genius of Hollywood's silent era. The programme shows how he challenged the power previously wielded by the director of a film, taking on a much more creative role as the producer. This involved dealing with some of the most notorious egos in movie-making, such as that of flamboyant director Erich Von Stroheim. It was famously said of Thalberg that he didn't just make movies - he 're-made' them. He may have turned MGM into what Paul Merton calls 're-take valley' but Thalberg never put his name on any of his films, even the original Ben Hur or Mutiny on the Bounty - which may explain why you might never have heard of this remarkable man who did more than anyone to steer 1930s Hollywood from the silent to the sound era.
Trailer
Recently Updated Shows

The Rookie
The Rookie is inspired by a true story. John Nolan is the oldest rookie in the LAPD. At an age where most are at the peak of their career, Nolan cast aside his comfortable, small town life and moved to L.A. to pursue his dream of being a cop. Now, surrounded by rookies twenty years his junior, Nolan must navigate the dangerous, humorous and unpredictable world of a "young" cop, determined to make his second shot at life count.

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.