Richard Reeves

Desi Lydic covers conservative media's support for Trump's Greenland invasion idea, Trump blaming Gavin Newsom for the LA wildfires, and Trump's plans for pardoning the Jan. 6 insurrectionists. Desi Lydic tackles New York's controversial new congestion pricing toll, while Josh Johnson hits the street to hear from real New Yorkers. "People say men don't have problems. They are the problem." Founding president of the American Institute for Boys and Men and "Of Boys and Men" author, Richard Reeves, sits down with Desi Lydic to initiate a national conversation about the issues facing America's young men. They discuss creating a space for dialogue about men's issues without blaming women, how the phrase "toxic masculinity" pushes men from productive conversation, increasing the amount of men in teaching and mental healthcare, and how Trump acknowledged men's issues but encouraged America to move backward.
Trailer
Recently Updated Shows

The Rookie
The Rookie is inspired by a true story. John Nolan is the oldest rookie in the LAPD. At an age where most are at the peak of their career, Nolan cast aside his comfortable, small town life and moved to L.A. to pursue his dream of being a cop. Now, surrounded by rookies twenty years his junior, Nolan must navigate the dangerous, humorous and unpredictable world of a "young" cop, determined to make his second shot at life count.

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.