Third Wheel / Grandmother's Day / Second String Mom

When Gopher series star Fred Grandy and his fun loving mother (Ethel Merman) begin their irrepressible clowning on a Mother's Day Cruise, his dad feels left out; a middle-aged husband and wife get the surprise of their lives when they discover there's a baby on the way, and a recent bride (Beth Howland) gets an accelerated course in motherhood when she has to deal with her husband's (Ken Berry) strong-willed teen-age daughters (Shelley Juttner and Michele Tobin) when the "The Love Boat" sails on the ABC Television Network, SATURDAY, MAY 12 (9:00-10:00 0.m., EDT). In "Third Wheel," written by Lee Aronshon, Gopher, who has never been close to his conservative father, Elliot Smith (Cummings), asks his mother, Ros (Ms. Merman), to perform a musical number with him for the crew show. Later they both realize they have hurt Elliot, who used to do the number with Ros in college. Maggie O'Brien (Ms. Fabray) learns from Doc that she is pregnant and dreads breaking the news to husband Mac (Nelson), who is elatedly planning a future for just the two of them now that the last of their grown children has left home, in "Grandmother's Day," written by Ann Gibbs and Joel Kimmel. In "Second String Mom," written by Lee Aronsohn, Lee Noble (Ms. Howland) is beginning to lose hope of winning the affection of her stepdaughters when they make a forbidden shore trip and suddenly need her help.
Trailer
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.