Svetlana Alexievich: Chronicle of the Little People (Part 2)

A documentary on the Belarusian writer Svetlana Alexievich, produced in 2000. Belarus, the focus of her work, was the site of fierce fighting between the Soviet Union and Germany during World War II. Its people also suffered tragedies during the Soviet war in Afghanistan and after the Chornobyl nuclear accident. When the program was made, Alexievich had already spent some 20 years recording the voices of the voiceless people behind these troubling events. These are the voices of the "little people" that would disappear in the oblivion of state history if they were not recorded. Ten years after the collapse of the Soviet Union, people were beginning to change. The "little people" were beginning to use the word "I" and to speak of themselves as individuals. The program brings alive these voices from the depths of history, filled with love and sorrow.
Trailer
Recently Updated Shows

The Rookie
The Rookie is inspired by a true story. John Nolan is the oldest rookie in the LAPD. At an age where most are at the peak of their career, Nolan cast aside his comfortable, small town life and moved to L.A. to pursue his dream of being a cop. Now, surrounded by rookies twenty years his junior, Nolan must navigate the dangerous, humorous and unpredictable world of a "young" cop, determined to make his second shot at life count.

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.